home

Shows
 Donkey’s TailBorderless Scoring for the Moment After Party in PiecesSe restiSe rimani come (i) restiTransmateriaSe mi apri cosa trovi
PerformancesMemorabili MembraSe rimani come (i) restiWater TracesNota di addestramento ad una giovane donnaTo Peel off My Skin
Info & Contacts capellialice.1997@gmail.com
@alicecapellix

CV
BORDERLESS

Mediterranea 20 Young Artists Biennale, (Nova Gorica - Gorizia),

Curated by Tia Cicek and Misal Adnan Yıldız, promoted by BJCEM, in collaboration with GO! 2025 European Capital of Culture Nova Gorica – Gorizia and ŠKUC Association.

Ho tagliato la corda presents a terracotta chain known for its delicacy and transience. It futilely restrains a limp latex arm, which lies lifeless like a second skin or a discarded layer. This arm, devoid of life and stretched out on the floor, serves as a reminder of a presence that has vanished. The work becomes a voice for the futile search for control and possession, evoking a mixture of sensuality, eroticism, and forced violence. What remains are traces of a past moment and the heavy evidence of self-sabotage, symbolising the emotional struggle to break free from tangled and complex situations.
Ho tagliato la corda (Cut the Loose Ends), 2024
latex, pigments, satin fabric, dryed flowers, baked clay, variable sizes
Installation view at “BORDERLESS!”, Mediterranea 20 Young Artists Biennale (Nova Gorica)
Photo by Oleksandra Horobets
Ho tagliato la corda (Cut the Loose Ends), 2024
latex, pigments, satin fabric, dryed flowers, baked clay, variable sizes
Installation view at “BORDERLESS!”, Mediterranea 20 Young Artists Biennale (Nova Gorica)
Photo by Oleksandra Horobets
Ho tagliato la corda (Cut the Loose Ends), 2024
latex, pigments, satin fabric, dryed flowers, baked clay, variable sizes
Installation view at “BORDERLESS!”, Mediterranea 20 Young Artists Biennale (Nova Gorica)
Photo by Oleksandra Horobets